Tag Archives: pottery

Modern Monday

Introducing East Fork Pottery’s Gas Fired Wares

EW 03East Fork Pottery held their introduction kiln sale this past weekend to debut their hand crafted housewares produced from the new gas fired kiln they recently acquired. The Danish Modern inspired line balances earthiness with cool clean lines evoking a timeless simplicity that transcends fashion for grounded functionality. As with any quality, modern craft the pieces are beautifully rich under the principle of “less is more”. While remaining local they are, at the same time, universal. EW 02

Alex Matisse, founder, and John Vigeland, CFO, are the leaders of the pottery studio supported by apprentices Amanda and Connie. Their studio is several stone throws to the west of Mars Hill nestled in the rustic atmosphere that has inspired generations of local craft folks. You can make appointments for guided tours and to shop directly from their studio. Visit the East Fork Pottery website to find out more and assemble your own shopping list. Cheers!EW 01

Charles Counts | 1934-2000

Every now and then I like to review the work of craftsmen Charles Counts and search for more information about him. Having seen a retrospective show of his work I have been a big fan since. Pinterest has allowed me to start gathering more images of his work. In launching his new board I thought it appropriate to re-share information on his work. Enjoy! Troy

“Art is a disease.  There is no cure for it.”

Bottle and Cups (1957)

This quote sums up the life of Charles counts.  Art “infected” Charles as a school boy in Oak Ridge, Tennessee and became his way of life.  He was the epitome of the Renaissance man, practicing various desciplines such as quilting, weaving, rug hooking, drawing, painting, philosophy, poetry and intellectual thinking.  However, he became most well-known for his pottery and teaching.  Counts worked hard to be a part of the Appallacian heritage of craftsmen who made objects by hand.

Hear Here Words (1984)

Charles Counts studied at various places including Berea College and Southern Illinois University at Carondale where he acquired an MFA in Ceramics and Weaving.  Charles apprenticed for Marguerite Wildenhain, a professor who studied at the Bauhaus School of Design in Germany.  It was under her tutelage, Counts learned that art and craft are really two halves to a whole, that craft is the origination of any art from, and functionality of the object and simple design are the goal of any true artist.   Counts also learned that an artist must master the fundamental elements of shape and form before being creative and that there is a spiritual connection between an artist and nature.

Growth Quilt (1977) – Rug (1984) – Quilt (1965)

After training Counts moved back to Tennessee to open his first studio near Knoxville between 1958 and 1962.  Counts found inspiration and strength in the flora and fauna of the natural world.  Repeated natural motifs in his work such as trees, mountains and the sun reflect his belief of something spiritual in nature and in all things that grow.

Space and Time (1984)

Since 1956, Charles counts was a member and avid supporter of the Southern Highland Craft Guild whose mission it is to keep alive the Appalachian tradition of making traditional and contemporary arts and crafts by hand.  His legacy resides in the hundreds of students he taught and influenced.  The admiration he felt when he first saw the hand work of the mountain potters of Kentucky, Georgia and North Carolina continued to propel him through life, challenging him always to make a better pot than the last one.

Footed Covered Jar (1976) – Jar (1976) – Who Am I, Who Am Eye (1984)

Information on Charles Counts courtesy of Southern Highland Craft Guild

Charles Counts (1934-2000)

I’m a big fan of Charles Counts craftwork. I first wrote about him a few years back following an exhibit of his work. Since then I get daily hits on him as there is little published on him. I thought I would share this again as his work maintains a modern quality today. Enjoy! Troy

“Art is a disease.  There is no cure for it.”

Comp 1

Bottle & Cups (1957)

This quote sums up the life of Charles counts.  Art “infected” Charles as a school boy in Oak Ridge, Tennessee and became his way of life.  He was the epitome of the Renaissance man, practicing various disciplines such as quilting, weaving, rug hooking, drawing, painting, philosophy, poetry and intellectual thinking.  However, he became most well-known for his pottery and teaching.  Counts worked hard to be a part of the Appallacian heritage of craftsmen who made objects by hand.

Counts - words

Hear Here Words (1984)

Charles Count studied at various places including Berea College and Southern Illinois University at Carondale where he acquired an MFA in Ceramics and Weaving.  Charles apprenticed for Marguerite Wildenhain, a professor who studied at the Bauhaus School of Design in Germany.  It was under her tutelage, Counts learned that art and craft are really two halves to a whole, that craft is the origination of any art from, and functionality of the object and simple design are the goal of any true artist.   Counts also learned that an artist must master the fundamental elements of shape and form before being creative and that there is a spiritual connection between an artist and nature.

Growth Quilt (1977) – Rug (1984) – Quilt (1965)

After training Counts moved back to Tennessee to open his first studio near Knoxville between 1958 and 1962.  Counts found inspiration and strength in the flora and fauna of the natural world.  Repeated natural motifs in his work such as trees, mountains and the sun reflect his belief of something spiritual in nature and in all things that grow.

bowl

Space and Time (1984)

Since 1956, Charles counts was a member and avid supporter of the Southern Highland Craft Guild whose mission it is to keep alive the Appalachian tradition of making traditional and contemporary arts and crafts by hand.  His legacy resides in the hundreds of students he taught and influenced.  The admiration he felt when he first saw the hand work of the mountain potters of Kentucky, Georgia and North Carolina continued to propel him through life, challenging him always to make a better pot than the last one.

Footed Covered Jar (1976) – Jar (1976) – Who Am I, Who Am Eye (1984)

Information on Charles Counts courtesy of Southern Highland Craft Guild

Charles Counts (1934-2000)

“Art is a disease.  There is no cure for it.”

Bottle and Cups (1957)

This quote sums up the life of Charles counts.  Art “infected” Charles as a school boy in Oak Ridge, Tennessee and became his way of life.  He was the epitome of the Renaissance man, practicing various desciplines such as quilting, weaving, rug hooking, drawing, painting, philosophy, poetry and intellectual thinking.  However, he became most well known for his pottery and teaching.  Counts worked hard to be a part of the Appallacian heritage of craftsmen who made objects by hand.

Hear Here Words (1984)

Charles Count studied at various places including Berea College and Southern Illinois University at Carondale where he acquired an MFA in Ceramics and Weaving.  Charles apprenticed for Marguerite Wildenhain, a professor who studied at the Bauhaus School of Design in Germany.  It was under her tutelage, Counts learned that art and craft are really two halves to a whole, that craft is the origination of any art from, and functionality of the object and simple design are the goal of any true artist.   Counts also learned that an artist must master the fundamental elements of shape and form before being creative and that there is a spiritual connection between an artist and nature.

Growth Quilt (1977) - Rug (1984) - Quilt (1965)

After training Counts moved back to Tennessee to open his first studio near Knoxville between 1958 and 1962.  Counts found inspiration and strength in the flora and fauna of the natural world.  Repeated natural motifs in his work such as trees, mountains and the sun reflect his belief of something spiritual in nature and in all things that grow.

Space and Time (1984)

Since 1956, Charles counts was a member and avid supporter of the Southern Highland Craft Guild whose mission it is to keep alive the Appalachian tradition of making traditional and contemporary arts and crafts by hand.  His legacy resides in the hundreds of students he taught and influenced.  The admiration he felt when he first saw the hand work of the mountain potters of Kentucky, Georgia and North Carolina continued to propel him through life, challenging him always to make a better pot than the last one.

Footed Covered Jar (1976) - Jar (1976) - Who Am I, Who Am Eye (1984)

Information on Charles Counts courtesy of Southern Highland Craft Guild